{"id":42059,"date":"2022-08-10T11:42:56","date_gmt":"2022-08-10T16:42:56","guid":{"rendered":"https:\/\/revivalclothing.com\/?post_type=product&p=42059"},"modified":"2024-08-02T15:14:24","modified_gmt":"2024-08-02T20:14:24","slug":"late-15th-c-short-linen-doublet","status":"publish","type":"product","link":"https:\/\/revivalclothing.com\/product\/late-15th-c-short-linen-doublet\/","title":{"rendered":"15th c.- 16th c. Short Doublet – Linen, Wool or Brocade"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSIZING<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Size Chart<\/p>

Note: <\/em>our Late 15th c. Short Doublet is somewhat fitted so use both chest and waist measurements to determine your size.<\/p>

Size<\/p><\/td>

Max. Chest Measurement<\/p><\/td>

Max. Waist Measurement<\/p><\/td><\/tr>

Medium<\/p><\/td>

fits up to 42\u2033 \/ 106 cm<\/p><\/td>

38\u2033 \/ 96 cm<\/p><\/td><\/tr>

Large<\/p><\/td>

fits up to 48\u2033 \/ 121 cm<\/p><\/td>

45\u2033 \/ 114 cm<\/p><\/td><\/tr>

XLarge<\/p><\/td>

fits up to 52\u2033 \/ 132 cm<\/p><\/td>

48\u2033 \/ 121 cm<\/p><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCOLORS & FABRIC<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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White, Black, Red, Royal Blue, Burgundy, Purple<\/p>

Slate Blue, Sage, Dark Green,\u00a0Oatmeal, Dark Brown, Gold<\/p>

Note: <\/em>Please note, with the difficulty of accurately representing colors on a variety of monitors, the color names are meant as descriptions along with the swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Wool, Silk and Linen are different and do not exactly coordinate.<\/p><\/div><\/div>

Lace Options:<\/strong><\/p><\/div><\/div>

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Shown: Black and Natural laces with metal tips<\/p>

Natural comes in both silver and brass<\/p><\/div><\/div>

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Shown: Colored Lacing Points<\/p>

Colored laces come with silver metal tips only.<\/p><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tABOUT OUR LATE 15th c. SHORT DOUBLET<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

For as much that the excessive vanity and wickedness of young men has grown to a very great height, so that many foul customs of dress are now found throughout every land. One thing in particular is the shameful practice of wearing the [doublet] cut of such brevity so that not only is boasted the turn and fullness of the calf, but that the port-piece and very curve of the buttock might thereby be revealed.<\/p>

From a 1423 French ecclesiastical condemnation of men\u2019s fashions.<\/p>

In the late 14th century, the shorter, well fitted cotehardie<\/a> had rocked the sensibilities of Churchman, who were aghast at men showing off their legs. But their admonitions proved little more effective than a 1990s father\u2019s horror at his daughter\u2019s low-rise jeans, and in much the same manner, the more they flustered, the more they were ignored! By the early 15th century, the cotehardie had become so short that the old style of chauses<\/a> and braies<\/a> had to be replaced with new joined hose that pointed directly to the cotte. This was the birth of the doublet, the dramatic, and final reinvention of men\u2019s fashions in the Middle Ages that would give rise to the fashions of the Renaissance. In the late 15th century and well into the 16th century the doublet evolved and itself got shorter. It can be seen to the worn with joined hose<\/a> and later, trunk hose as well as the distinctly elaborate pluderhosen<\/a>(as shown in our photos).<\/p>

Besides its close fit, the doublet retained many elements of its predecessor, particularly the tight, laced or buttoned forearms, and its suitability for production in both simple and sumptuous fabrics. Besides its short length, however, one of the doublet\u2019s distinctive trademarks in this period were full upper arms, raised or \u201cpuffed\u201d shoulders, and simple tie closures down the front. We have chosen to replicate all of these elements in our doublet, which based on a late 15th century style that developed in the wealthy and fashion-conscious cities of Italy, spread into Austria and southern Germany and from there became popular throughout central and western Europe. We have these style elements are extremely flattering to most figures \u2013 with a smooth, tailored silhouette and broad shoulders.<\/p>

Like the originals, our doublet is of a cut that was popular with the nobility and the wealthy mercantile classes. The shortness of the doublet meant to perfectly showcase our Meyer Pants<\/a>(pluderhosen). Perhaps more than at any other point in the Middle Ages, clothing in this period was about dramatically standing out from the crowd. To help you do just that, we recommend you add our woolen hood worn as a chaperone to complete the look of the dashing courtier or man of means.<\/p><\/div><\/div>

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Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1440<\/p><\/div><\/div><\/div><\/div><\/div>

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Detail from a Lassone panel painted in Florence and currently in the collection of the Earl of Crawford in London, England, circa 1448<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Detail from a portrait by Pisanello in the Uffizi in Florence, Italy circa 1445-50<\/p><\/div><\/div><\/div><\/div><\/div>

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Detail from fresco by Masalino da Panicale in San Clemente in the chapel of Cadinal Banda in the Castiglione, Rome Italy circa 1431<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Detail from the fresco by Domenico di Bartolo and Lorenzo di Pietro in the Hospital of Santa Maria della Scala in Sienna, Italy circa 1444<\/p><\/div><\/div><\/div><\/div><\/div>

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Drawing after a Book of Hours by Jean Fouquet in the Musee Conde, Chantilly, France circa 15th century<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Drawing after detail of a fresco by Gregorio Franceschino in the Tomb Chapel in the Cathedral of San Giovanni Batista in Monza, Italy circa the first half of the 15th century<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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This dashing Noble cuts a sleek with his red \u00a0Joined Hose<\/a> and black linen Doublet. they are supported from underneath by his Shirt<\/a>\u00a0and\u00a0Braies<\/a>.\u00a0 To show of the curve of his leg, he wraps a pair of black wool Garters<\/a> at his knee. He matches his Doublet to his black Turnshoes<\/a>.<\/p><\/div><\/div><\/div><\/div><\/div>

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This Noble as opted for a splash of color. His sunshine gold Doublet is pair with green Joined Hose<\/a> and tied at the knee with ribbon Garters<\/a>. As with any respectable gentleman, \u00a0his Shirt<\/a>\u00a0and\u00a0Braies<\/a> are tucked beneath out of sight. He decorates his waist with a brown Belt<\/a> and finishes his look with Turn Boots<\/a> and an Acorn Hat<\/a>.<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Bottom Left: Our 15th century\u00a0Wool Doublet<\/a>\u00a0in Dark Green worn with our\u00a015th century<\/a> Shirt,\u00a0Wool Joined Hose<\/a>,\u00a0Wool Hood<\/a>, and Black\u00a0Turnshoes.<\/a>
Center: He\u2019s wearing our 15th century\u00a0Brocade Doublet<\/a>\u00a0worn with our\u00a015th century Shirt<\/a>,\u00a0Wool Joined Hose<\/a>, and Golden Brown\u00a0Turnshoes<\/a>.
She\u2019s wearing our 15th century\u00a0Brocade Houppelande<\/a>\u00a0in Burgundy with white\u00a0Linen Underdress<\/a>\u00a0and\u00a0Silk Organza Veil<\/a>.
Top Right: Our 15th century Linen Doublet<\/a> in Black worn with our\u00a015th century Shirt<\/a>,\u00a0Cotton Joined Hose<\/a>\u00a0in Burgundy,\u00a0Ribbon Garters\u00a0and\u00a0Turnshoes<\/a>.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tREVIEWS<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

[product_reviews]<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"